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Thursday, October 8, 2026
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Game Review: Band Frontman Jason Williamson Assumes Role in Sceptical Examination at Ecstasy Generation Era

Helmed by Portishead co-founder the musician-producer, this sharp-edged though undernourished first film casts a critical gaze on 90s rave culture. Self-serving drug user David (Marc Bessant) first robs an unconscious dealer, then in another flashback tries to burgle his own family home. In no time, he's overturned in the remains of his car in a woodland – and subject to the angry eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Declining to free David, with no time for city dwellers, he is broken Britain personified: “You’re one of those loud individuals from up on the heath.”

Unsteady Opening and Darkly Funny Duel

Game gets off to a shaky start, lingering excessively on meticulously detailing David’s attempt to free himself from his seatbelt, while clumsily segueing into flashbacks of his everyday life. The bigger point – that the rave-era youth were primarily out for number one – is clearly conveyed. But these vignettes are too thin to properly prime us for what to expect when the Poacher arrives, enraged after David strangles his dog. Still, a grimly amusing duel unfolds – David eager to get away; the Woodsman withholding his jerrycan of cider, determined to soaking him instead in resentful talk. Williamson, exuding heavy threat in the role, is reminiscent of Michael Smiley.

Visual Flair and Promo-Inspired Vibe

There is only one key story turn, but it leads to a hilariously staged chaotic run on the forest trails that veers toward folk horror. Director John Minton at last unleashes with his ostentatious visuals: where he was hunkered down doing impressionistic closeups of insects in the light in the opening part, he now lets rip with the full lysergic grand display, soundtracked to a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an extended promo than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings and others into making the leap from the UK video industry.

The film is in British and Irish theaters from 17 November.

The writer

Samuel Gilbert

A tech journalist with over a decade of experience covering emerging technologies and digital innovation across Europe.

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